Archive for the tag 'AP'

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Great! Recession.

Three years ago, journalists were frantically reporting on a complex credit crisis they would eventually be critiqued for failing to predict.

Dutch reporters reported day and night on the “kreditkrisis.” Spaniards were busy covering the “crisis de crédito.” French speakers were abuzz about “pénurie de crédit.”
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Changing vocabularies
Nomenclature for the crisis that burst on to front pages around the world in 2007 has evolved as the scope of the crisis itself developed.

As housing prices fell in the United States, the credit crisis began. Words like “subprime” and “adjustable rate mortgaged” danced across front pages.

As housing prices dropped and pink slips flew, we realized we were in a time of financial crisis. The European Central Bank and US Federal Reserve added billions of euro into the financial markets, prompting the need for many charts, graphs and explanatory stories.

We began talking about a economic crisis. Photos of Britons lined up outside Northern Rock ran across wire services everywhere. World leaders like Gordon Brown, George Bush, Nicolas Sarkozy and Angela Merkel kept op-ed writers in business with their support – or lack thereof – for national and international bailout schemes.

Employment data and a lack of consumer spending started to indicate we were in a recession, a tricky term economists like to argue about.

Later, it became the global recession.

In February, the Associated Press, a ubiquitous wire service that produces a style guide considered in the United States to be “the journalist’s bible,” went so far as to give the crisis its own title: the Great Recession.

A crisis by any other name
Many European publications and wire services have rejected the term.

“Let the historians, not the sub-editors, categorise major historical turning points,” Lisbeth Kirk, editor-in-chief of the EUObserver, said via e-mail.
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Reto Gregori, chief of staff at of Bloomberg News, said journalists at Bloomberg are loath to use capital letters when it comes to characterising the economy.

“Historians and economists will determine whether the recession that started in December 2007 should be called the Great Recession,” Gregori said via e-mail. “At Bloomberg News, we’re sticking to ‘a recession’ at this point.”

Bloomberg News is a 20-year-old initiative of Bloomberg L.P., an American company data and software company well-known for the news terminals it sells to financial firms. It says about 350 newspapers and newsmagazines subscribe to its newswire.

Tim Quinson, executive editor of the Europe, Middle East and Africa bureau at Bloomberg, said Bloomberg may reconsider its position in the future. When doing so, it will take cues from academia.

“We have decided that we won’t change our wording until the National Bureau of Economic Research at Harvard University declares that the recession is over. Then analysts can review the landscape with more of historical perspective,” Quinson said via e-mail.

“Until then, we will call it a recession.”

Ditto at The Economist, the increasingly influential weekly newsmagazine from Westminster. It has gained in circulation in each of the last four years, unlike competitors like Forbes or Business Week.

Tom Standage, the business affairs editor at The Economist, said journalists there do not use the “Great Recession” unless quoting sources who use the term.

In the past, the Economist has tracked the use of the term “recession” in the business press.

“Typically we say “the recession” for the rich world and “the downturn” when talking about developing countries, many of which did not go into technical recession,” Standage said via e-mail.

The term “Global Recession” has been discussed in the newsroom and smaller meetings dedicated to updating the Economist’s in-house style guide, Standage said.
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Generally, he said, it is disliked and not likely to find its way into the Economist’s style guide.

“We dislike jargon and other terms of art,” he said.

David Marsh, who edits the style guide at The Guardian, says the term “Great Recession” appeared in print 17 times in the past 12 months.

Guardian reporters included the term mainly when quoting sources and usually qualified it with a date range, “Great Recession of 2007-09.”

“The fact that it needs to be qualified by suggesting when it took place demonstrates, in my view, that it is not yet a widely accepted definition,” Marsh said in an e-mail.

Marsh said it is unlikely the term will be included in The Guardian’s style guide.

Nor will it crop up in style manuals at the Financial Times, executive editor Hugh Carnegy said.

Carnegy said he finds the term “rather portentous” and added that he prefers to let historians name the era.

“Once adopted, there is a danger it would proliferate in an irritating way,” he said in an e-mail. “In fact, thanks to the AP, it already has!”

Crafting constructs
Great Recession is an obvious throwback to Great Depression, which began in 1929 and lasted until the Second World War.

The term Great Depression was not used during those years, though. The then-president of the United States, Herbert Hoover, did use the phrase “a great depression” in speeches as early as 1930. But the term didn’t become popular right away.

It took until 1934, when a British economist Lionel Robbins published a book called The Great Depression, before a definite article and capital letters were added.

While most historians and stewards of journalistic style – including the Associated Press – readily use the phrase to describe what is widely accepted as the worst economic downturn of the last century, at least one is more cautious.
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The Economist does not use the phrase Great Depression, preferring instead “the Depression.” The capital letter helps distinguish from other depressions.

“The lesson of history is that after the Great Depression, people found a new term for depressions (recessions),” Standage, at The Economist, said.

“Might the same happen again now? Will the Great Recession catch on, and subsequent recessions be referred to as downturns?”

Standage added that he hopes not; downturn is a euphemism used in countries suffering a recession.

In a January, 2008, column, the late linguist William Safire posited that the crisis would soon come to be characterized by a phrase starting with “the Great.” His column contemplated possible follow-on nouns like “Fall,” “Reckoning,” “Devaluation,” “Unwind” or, indeed, “Recession”.

Like the editors at The Economist, FT and Guardian, Safire warned against prematurely naming the era.

“…a national or global economy takes longer to sink deeply into recession. That’s why it is premature to settle on a word or phrase for whatever it is we’re going through today. An extended credit crunch or credit crisis? A “recession that would curl your hair,” in the Eisenhower-era phrase? Or just a run-of-the-mill recession, a mere “bump in the road,” the inexorable exhaling during the business cycle?”

Although the AP has taken a stand and assigned a special moniker to the era, it is quite evident that other editors are more cautious about using potentially inflammatory language to describe the crisis.


Flickr images from users alexthepink, Herschell Hershey, mike d’ leo

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COP15 Media Impressions

Is the threat of climate change what legacy media brands needed to finally implement innovative new media strategies?

Starting with a syndicated editorial that ran in 56 newspapers, the international press have demonstrated far more collaborative spirit in coverage of the United Nations Climate Change Conference in Copenhagen than the politicians who have been sent to Denmark to take action.

The editorial, penned at The Guardian, notes:

“If we, with such different national and political perspectives, can agree on what must be done then surely our leaders can too.”

In addition to 16 newspapers from Asia, 20 European countries ran the editorial. The 1,113 words - in English - of the editorial were translated into 20 languages.

Indeed, COP15 has been a boon for syndication, distributed coverage, interactivity and aggregation.

On Facebook, a group called The Climate Pool has become a second home for the content of 11 different news publishers, including: Agence France-Press, ANP (the Netherlands), APCom (Italy), RIA (Russia), dpa (Germany), Lusa (Portugal) and The Associated Press (United States).

The group accumulated more than 5,000 fans as of the start of COP15. Participating agencies have posted articles relating to Copenhagen coverage, opening these up for comments. The group also includes discussion forums, on which - impressively - journalists from The Climate Pool have engaged with other Facebook users.

According to its own press release, The Climate Pool was initiated by a global media network called MINDS International. Based in Germany, MINDS began its life as European Commission-funded project in 2004; it now operates with funding from its members.

The group represents a departure from the isolated positions of news agencies like the AP, which distribute content to paying members but act as vertical silos online, unwilling to share content. An executive from the AP told Journalism.co.uk that participating in The Climate Pool is an experimental project “to help the agency better understand what tools are best used for covering certain events and answer questions about social media newsgathering and distribution.”

For netizens who want to comment on COP15 proceedings as they happen, enter the OneClimate Channel.

Thanks to the free video-sharing platform Justin.TV, the is running an interactive livestream of the meetings in Denmark. Viewers are able to watch live meetings, in English, while discussing with other viewers in real time alongside the video.

Live broadcasts are available on the COP15 site itself, but the UN site does not offer viewers a chance to comment.

In between official briefings, interviewers from the OneClimate initiative host discussions on various climate change themes with other activists. These too are open for real-time reader comments.

The Channel, which is live during business hours, can be embedded across the Internet.

“OneClimate.net has always been in the business of producing free digital spaces and tools for amplifying the voices of thousands of climate action groups around the world,” a press release from the initiative said. “Its new interactive TV channel is based on the same philosophy.”

OneClimate is part a UK nonprofit called OneWorld Network, which began in 1995 and is now a distributed network of activist sites.

Finally, thematic blogging platforms like the EJC’s ThinkAboutIt campaign and Global Voices Online have been active for months.

Both offer netizens a portal to blogs of citizens from all over the world; they’re reliable sources for authentic voices speaking from countries like Brazil, India, the US and the EU27.

The question is: Will the politicians at Copenhagen listen?

New media strategies like syndication, distribution, aggregation, social networking, curated lists, real-time discussion and search do provide entry points for more voices. But is it all one big echo chamber?

Communications staff in charge of compiling media briefings for their respective politicians each day of the COP15 have no excuse not to have their hands full of material.

Don’t you hate it when newspapers depict reality? Some people do.

When I first read that The Associated Press had moved a photo depicting US Marines tending to Lance Cpl. Joshua “Bernie” Bernard after he was mortally wounded while serving in Afghanistan, I was impressed.

It’s an entirely separate issue, but the AP has gotten a lot of bad press in the last few months for its conservative practices on the web; it has annoyed and baffled bloggers as it implements dubious and finicky ways of searching for and policing its copyright.

So I’ve been a little down on the AP, which has (for good or bad) positioned itself as “the man” online in terms of protecting (not sharing) its content online.

But I applaud this journalistic decision to publish an upsetting photo showing the real perils of war.

Flickr image from user  Templar1307

Flickr image from user Templar1307

Americans are an odd lot when it comes to seeing violence: Although we don’t images of it sprayed across the front pages of our newspapers (or their corresponding websites), we clamor for war movies, especially World War Two movies. I recently read an article in the Wall Street Journal that noted how Americans continue to strongly agree that the Second World War was a just war. Thus we don’t mind revisiting it in movie theaters - over and over and over.

In fact, Inglorious Bastards, also set in the Second World War, is one of the more popular movies playing in theaters right now.

This is contrary to how Americans view ongoing wars in Afghanistan and Iraq. There is strong uncertainty throughout the country about American involvement in these two wars. Movies about these two wars, even when they are well-done films, have not become as popular as films about the Second World War.

And we sure as heck don’t want to see images printed in our newspapers of American soldiers dying in the Middle East.

But… That’s what’s happening. American soldiers are dying - although in fewer numbers than Afghans or Iraqis. That’s the truth. They’re dying “for their country,” to use the sickeningly simplistic terms of patriotic rhetoric.

Photo from Flickr user DVIDSHUB

Photo from Flickr user DVIDSHUB


As such, it’s my opinion that the people in their country should understand exactly what that means. And a photo is a vehicle to facilitate that understanding.

After seeing the photo, I don’t think it shows anything that someone like Stephen Spielberg wouldn’t show in films like Saving Private Ryan. It’s not offensive. It’s an evocative, newsworthy photo not unlike the one which won the World Press Photo of the Year award in 2008.

The best rationale I’ve read for running the photos - which few papers did - is penned by the editor of the Merced Sun-Star in California, Mike Tharp. He is himself a former service member. He has also reported from Iraq.

Which leads me to a more personal point: Once men and women are enlisted or commissioned to serve in the armed forces, they’re going to work wherever the U.S. government sends them - like it or not. This is of course very brave. Without taking away from that - so, on a tangential note - the bravery of war photographers and reporters is also worth noting. Nobody is holding their feet to the fire - or military tribunal, for that matter - if they don’t report from war zones. Reporters like Julie Jacobson, who took the controversial AP photo, go of their own volition… Which is either crazy or an impressive dedication to the mission of bringing important information and stories home to the American people.

Wired has a great infographic and article explaining how AP’s content “protection” system works - or rather, doesn’t.

Helpful in general, but a few grafs in the middle have confused me, especially this bit:

“Indeed, it is designed to detect unauthorized use under conditions a content thief would be unlikely to use: Simply cutting and pasting AP content will remove all underlying code (as an overly ambitious aggregator might). So will re-typing it (as a commenting blogger might).”

But then, one graf later:

“Nothing in copyright law requires a blogger or commenter to include the meta-tags if they use an excerpt in a blog post. (Got it!) In fact for a blogger to comply, they’ll have to do more than just cut and paste – they will have to view the source code on a newspaper’s site, search through the HTML and javascript to find the text of the story and its micro-formats. Once the thief has gone to this trouble the purloined story will call home to report where it is being re-printed, via a Web Bug url embedded in the story. Only then would The News Registry even be aware of this use.”

Question: Does cut and pasting alert The News Registry, or not?

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Quoting the AP: Fuhgetaboutit

Big brother got a kid sister today, and she’ll be watching you closely.

Flickr image from user akanekal

Flickr image from user akanekal


The media blogosphere was a-crackin’ today after The Associated Press announced its intent to:

“create a news registry that will tag and track all AP content online to assure compliance with terms of use. The system will register key identifying information about each piece of content that AP distributes as well as the terms of use of that content, and employ a built-in beacon to notify AP about how the content is used.”

Hm. Is this OK?

After reading some of the reaction to this announcement, in particular a post written by author and professor Jeff Jarvis’ - that the AP attempting, but will likely fail, to kill the link economy - I decided I don’t think AP’s fancy new “wrapper” system is a problem.

Yes, the AP will be monitoring the use of its content more closely. So what?

Today’s announcement is really just about a somewhat cool bit of technology. In fact, I think big companies like Google should be more supportive of this kind of technology. I’m not an expert, but can refer to an explanation of ACAP and why search engines don’t like it.)

What Jarvis is really worried about is what the AP will or will not do when it finds its content cited, linked to or quoted.

He references one of my favorite Martin Luther King, Jr., quotes when he writes “If the AP goes after ANYONE for linking that affects EVERYONE” in the comments section of this CJR post on the subject.

Not sure I think this is all that serious.

Flickr image from user Brian Indrelunas

Flickr image from user Brian Indrelunas


I read just now the AP’s Terms and Conditions. It does not allow anyone to “copy, reproduce, publish, transmit, transfer, sell, rent, modify, create derivative works from, distribute, repost, perform, display, or in any way commercially exploit the Materials carried on this site, nor may you infringe upon any of the copyrights or other intellectual property rights contained in the Materials.”

Granted, The AP does have a reputation for being intermittently tough on bloggers who quote lines of AP content. It puzzlingly went after the Drudge Report about a year ago, asking Matt Drudge to remove lines quoting from the AP from seven stories.

At that time, there was a lot of reaction and attention paid to an AP fee sheet for use of its content.

The hippie illegal downloader of music and movies in me thinks the AP is absurd to try and apply such stringent standards to the link-based Internet. Its board of directors clearly don’t understand how this medium works.

But the girl who desperately wants to try and support her travel habits on a reporter/editor salary thinks content creators have the right to protect the economic value of their work. And that’s what the new tag and tracking system should give AP the opportunity to do - after it gives AP a better understanding of how its content is being referenced/used online.

After all, it makes sense to try and really understand how content is being used on the Internet before deciding the best Fair Use policy for this “new” medium.